Showing posts with label Outer Image. Show all posts
Showing posts with label Outer Image. Show all posts

Apr 12, 2013

Vargas-Suarez Universal

at GE Galeria (Volta NY 2013)


Vector Group: Organic Compound, 2012
There is an outside image : logical, organized and solid (the dark figures in the background). Then there is an inside image : vulnerable, soft and based on feelings (the organic structures on the upper left and lower right).  But the real you are the blinds (the grey vertical and horizontal lines). They filter what comes out and what gets in.

Oct 10, 2012

Charles Seliger

at Michael Rosenfeld Gallery


Internal Space, 1945

This is an introvert. On the outside he is shy, bleak, grey. Everything is well defined and inside the borders and norms. But the inside is another story. There is a volcano with hot lava flowing along the bottom side.You see different things connected into networks that span objects, ideas, worlds. The networks despite the norms and borders. It is an universe that produces the enormous amount of new things that are confided to a ordinary, not remarkable outer shell.

Oct 7, 2012

Weekend Edition 35

Pablo Picasso

La pisseuse, 1965

Every woman is a carefully constructed outer image (white stains - the dress). The image is built in the way that you should not see that it was constructed (the pyramid wrapped in the white cloth). Her exposed breasts represent her sexuality. The legs show her groundedness, her pragmatism and common sense. Her vagina is her connection to the nature. The stream coming out of her is the time that is part of her relation with the nature.

Dec 30, 2011

Paul Kelpe

Paul Kelpe at Valerie Carberry Gallery(Art Basel Miami Beach 2011)


Untitled (#166)
This is a woman. She is very aware of her surroundings. She has an external image to maintain (light gray figure in the background around the main construction in the middle). At first glance beyond the visible representation, you can see a simple sphere and a cone. But if you dig deeper, you will see delicate mechanics with lots of gears, moving parts and springs. The springs (the two spirals in the center) sometimes are working in opposing directions. Thus they produce a line in the external image that changes directions rapidly, a conflicting and doubting behavior( middle right). Our woman has high standards that she use to measure herself(a yellow line in the top center). The line is near her lily head. The latter is heavily influenced by a yellowish spot that grows from the yellow sphere from down below.

Dec 6, 2011

František Kupka

František Kupka at Galerie Thomas Modern(Art Basel Miami Beach 2011)


Cercles
All of those circles is a person. Each circle is a role that a person plays in his life. Or you can call it a layer of skin or a mask he wears. Those layers are built to protect some vulnerabilities, to cover some imperfections. Some are created after some significant events in the person's life. The events can be good and can be bad. That's why the circles have different colors. To get to the inner layers, you need to have similar experiences, to share the same kind of events in your life(figures on middle left). Besides those you need to know when and how to approach, so the opening and the key would be aligned.

Nov 19, 2011

Weekend Edition 4

Gustav Klimt at ArtFinder


Danae

This is a beautiful woman in love. She gives everything: her feelings, her desires, her passion. She opens up to her lover in all her insecurity, vulnerability, imperfection. And yet she is perfect, gorgeous, tender and warm. She is Sun (orange details: hair, nipples and lips). Her love is the rain of gold to the person who can make her to fall in love with him. But all of this is covered to the outsiders by cool green fabric. The cloth hides the inner softness and lovable imperfections. The outer image is perfect, cool, inaccessible, mysterious.