Chef des équipages, 1974 |
Jun 30, 2012
Joan Miro
at Lelong Editions (Art 43 Basel 2012)
A true leader feels the mood of his group. It is like he has neuron connections to different people / places ( the black lines that go to the top and the lower ends look like hooks). People are gravitating toward him ( the green ribbon in the left center). Every crises is used to process, to learn and to improve himself (the red stains from the upper middle to the solid colors in the lower right).
Labels:
Abstract,
Art 43 Basel 2012,
France,
Joan Miro,
Joan Mirò,
Leader,
Lelong Editions,
Paris
Jun 28, 2012
Giacomo Balla
at Moeller Fine Art (Art 43 Basel 2012)
Linea di Velocità e paesaggio, c 1915 |
Labels:
Abstract,
Art 43 Basel 2012,
Association,
Giacomo Balla,
Instinct,
Moeller Fine Art,
new york,
Psychology,
Structure,
USA
Jun 26, 2012
Gerhard Richter
at Kukje Gallery (Art 43 Basel 2012)
Abstraktes Bild (862-2), 1999 |
Imagination can take you places. Or you can build places. And it could be huge, magnificent palaces. The wilder the imagination the more extravagant things you can create using your thoughts. Strong imagination can over shine the reality. It can be so strong that dreams can substitute the reality. You start living in your fantasy (in easy cases it can be cured with medication :). In the earliest collision between imagined world and reality, the mighty arcs of your palace are turned into smoke rings. The reality breeze takes them and the fog of imagination away, clearing the field. The field of harsh, bleak real life.
Jun 25, 2012
François Morellet
at Bernard Jacobson Gallery (Art 43 Basel 2012)
Pi Puissant n1 = 10 14 décimales, 1998 |
It is hard to choose your path.The straight line is not always the shortest or the best way.The chosen path changes you and your environment.
Labels:
Abstract,
Art 43 Basel 2012,
Bernard Jacobson Gallery,
Change,
Choice,
François Morellet,
London,
Path,
UK
Jun 22, 2012
Ernst Wilhelm Nay
at Aurel Scheibler (Art 43 Basel 2012)
Schwarze Kette Grün zu Rot 1966 |
Labels:
Abstract,
Art 43 Basel 2012,
Aurel Scheibler,
Berlin,
Birth of Love,
Ernst Wilhelm Nay,
Explore,
Germany,
Love,
Women
Jun 21, 2012
Ernst Ludwig Kirchner
at Galerie Henze & Ketterer (Art 43 Basel 2012)
Blumen und Figuren (Flowers and Figures), 1930 |
Jun 20, 2012
Emilio Vedova
at Galleria dello Scudo (Art 43 Basel 2012)
Ciclo ’61/’62 – N° 6, 1961-1962 |
Labels:
Abstract,
Art 43 Basel 2012,
Emilio Vedova,
Galleria dello Scudo,
Italy,
Verona
Jun 19, 2012
David Thorpe
at Casey Kaplan (Art 43 Basel 2012)
The Real Life, 2006 |
Labels:
Art 43 Basel 2012,
Casey Kaplan,
Chelsea,
Courage,
David Thorpe,
Freedom,
Law,
new york,
Rebellion,
Rules,
USA
Jun 18, 2012
David Tremlett
at New Art Centre (Art 43 Basel 2012)
Construction and Space #2 |
The regular people move on the solid base(the solid rectangles from the left to the center). Their choices are solid, sound and logical.But they progress slowly. It takes time to build a good foundation. Some people can progress more rapidly by taking educated guesses (from the center to the right). And a few people can create something that at first glance has nothing to do with its environments(the red rectangles). Those people are geniuses. They see things that others don't. Their creativity and imagination are so outlandish that they are on the border with insanity(red).
Labels:
Abstract,
Creativity,
David Tremlett,
Genius,
Imagination,
New Art Centre,
Progress,
Salisbury,
UK
Jun 17, 2012
Weekend Edition 30
Paul Cezanne
The Cards Players, 1892 |
The players are the regulars in the place. They are relaxed. A lomg night of card playing is ahead of them. The players are concetrated on the game, because the game is the only enertainment in their life. They are simple people, their life is simple. They don't have hobbies, they don't have interests. They work. They earn money. They survive. The meetings at the card table in the joint is the best thing that happens in their life.
Jun 16, 2012
Charline von Heyl
at Friedrich Petzel Gallery (Art 43 Basel 2012)
The Antiplatonick,2011 |
Friendship is love without physical pleasure. We can call friendship between two people that are in theory sexually attractive, as a platonic love. The problem is that they are staying friends because they have to. They already have someone else that they are intimately involved with. Or the society forbids them to cross the border between the friends and lovers. The feelings are there, they don't go away. They just get covered up.
Jun 14, 2012
Brice Marden
at Matthew Marks Gallery (Art 43 Basel 2012)
Window Study #6, 1985 |
Labels:
Abstract,
Art 43 Basel 2012,
Brice Marden,
Chelsea,
Depression,
Matthew Marks Gallery,
new york,
USA,
Window,
Winter
Jun 13, 2012
Albrecht Schnider
at Galerie Bob van Orsouw (Art 43 Basel 2012)
Untitled, 2011 |
Labels:
Abstract,
Adapt,
Art 43 Basel 2012,
Change,
Compensation,
Galerie Bob van Orsouw,
Loss,
Switzerland,
Zürich
Jun 12, 2012
Hélio Oiticica
at Lelong Gallery (Frieze Art Fair New York 2012)
Untitled, 1956 |
Jun 8, 2012
Jon Pestoni
at David Kordansky Gallery (Frieze Art Fair New York 2012)
Tilt, 2011 |
Jun 7, 2012
Jon Thompson
at Anthony Reynolds Gallery (Frieze Art Fair New York 2012)
The Tornonto Cycle #12, CADENCE and DISCORD (V1) Traer los Sentidos, 2010-2011 |
Jun 6, 2012
Shinro Ohtake
at Take Ninagawa (Frieze Art Fair New York 2012)
Time Memory 1, 2012 |
Time is frozen in memory. Time is preserved in small pieces - photos, movies, letters, diaries.The fossil time is used as building blocks for our memories.We polish those blocks as if they were from granite and we cover the floor, walls and ceiling with them in our temple of our experience. But it is not granite. It has been scratched. It has graffiti. It is missing some pieces, so it was patched with some imagination and rationalization. Our magnificent temple of experience can crumble any time.
Labels:
Abstract,
Experience,
Frieze Art Fair New York 2012,
Japan,
Memories,
Shinro Ohtake,
Take Ninagawa,
Time,
Tokyo
Jun 4, 2012
Julije Knifer
at galerie frank elbaz (Frieze Art Fair New York 2012)
M.5.60 (Méandre n°5), 1960 |
Jun 3, 2012
Jun 1, 2012
Steve DiBenedetto
at David Nolan Gallery (Frieze Art Fair New York 2012)
Knot Building, 2008 |
Knots are used to tie loose ends. But once it is tighten up, it creates a bump on a smooth rope. In a relationship, when you want to create a bond, it should be done naturally. Yes, you need to make an effort. Your energy should focus on relationship development and not to build something artificial. The moment you use force, it creates a tension. The tension creates problems. You are trying to conceal the your forced efforts. You are trying to resolve the tension and the problems, but you are pulling in the wrong direction. One thing piles on another. In no time instead of nice strong bond you have a big messy tangle. Moreover in this situation your relationship is started to stagnate and the gangrene kicks in.
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